Arkivism
Niagara from the American Side, New York
CC0 · no rights reserved

Niagara from the American Side, New York

Frederic Edwin Church, American, 1826–1900 · possibly August 1858 · Brush and oil paint, graphite over albumen silver print mounted on white paperboard

From the collection of Cooper Hewitt, Smithsonian Design Museum. Free to download, adapt and use — no permission needed.

About this work

Landscape photograph/sketch showing a view of Niagara Falls from the American side, in New York. In this work, the artist sketched in graphite and oil paint onto a photograph known as an albumen silver print. The view includes a treetop at lower right and a cliffside with vegetation in the foreground at left. Beyond it, the American Falls lead to Goat Island, which then leads to the curving Horseshoe Falls, which extends horizontally across the composition in the middle distance. In the background, dark gray and white clouds hang above the heavily wooded bank of the Niagara River. The artist has whited out the treetop at lower right, painted the rich blue-green hue of the river's water onto the falls at center, and articulated the distant sky and riverbank in oil. At center right, an immense plume of mist kicked up by the falls is visible. Graphite guiding or perspectival lines intersect at center.

Cooper Hewitt, Smithsonian Design Museum’s own description
Subjects
Drawings
Credit lineNiagara from the American Side, New York. possibly August 1858. Frederic Edwin Church, American, 1826–1900. Cooper Hewitt, Smithsonian Design Museum, Gift of Louis P. Church. CC0.

Similar works