Arkivism
Peg (msuruaki) for a Sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti)
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Peg (msuruaki) for a Sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti)

c 1800s · Wood and glass beads

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Common in the Indian Ocean region, wooden sandals changed meaning across place and time. This pair’s base elevates the foot as the toes grip an antelope-shaped peg ( msuruaki ). Crisp geometric sole designs suggest they were rarely worn. East African elites and merchants once had exclusive rights to wooden shoes, wearing elaborate ones only for portraits. Formerly enslaved people living along the coast wore simpler ones from the 1840s onward, adopting elite footwear to assert their liberation. However, slave traders like the Zanzibari “Tippu Tip” (c. 1832–1905) likely brought mitalawanda to Central Africa; stylistic elements of this pair hail from that region.

Cleveland Museum of Art’s own description
Credit linePeg (msuruaki) for a Sandal (mtalawanda / mtawanda) or Clog (kiatu cha mti), c 1800s. Africa, Central Africa, Democratic Republic of Congo, unidentified carver. Wood and glass beads; overall: 12 x 4 cm (4 3/4 x 1 9/16 in.). The Cleveland Museum of Art, Educational Purchase Fund, 1929.566.2.b

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