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The Resurrection, from an Altar Frontal
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The Resurrection, from an Altar Frontal

1375–1400 · Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

This scene of the Resurrection, along with 11 additional embroideries of the life of Christ, may have formed an altar frontal, a hanging decorating the front of an altar. Originally, expensive gold thread covered the background, but it was removed and probably melted down for its monetary value. The loss of the gold exposes a rarely seen preparatory drawing on the linen ground created by an unidentified painter. Now exposed, thick cotton thread forms scrolling vines that, when covered with radiant gold thread, would have paralleled the effect of raised plaster decoration in paintings. What does survive is of the highest quality and refinement, including more than 20 brilliant shades of silk thread.

Cleveland Museum of Art’s own description
Credit lineThe Resurrection, from an Altar Frontal, 1375–1400. Italy, Florence. Silk, gold and cotton thread, linen; raised work, embroidery: split, stem, and couching stitches; overall: 29.2 x 41.9 cm (11 1/2 x 16 1/2 in.); mounted: 38.7 x 51.4 cm (15 1/4 x 20 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1929.904

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