Arkivism
Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)
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Preaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)

Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina) · Gum tempera and ink on palm leaf

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

The red Buddha Amitabha is seated under a tree on a throne in the middle of the upper page; two geese—his animal emblems—perch at the top on either side. A white and red bodhisattva are on either side. This manuscript, consisting of 188 double-sided folios, was calligraphed by a scribe at a monastery in northeastern India, commissioned by a monk from Nepal. Judging from the style of the paintings, they are the work of Nepalese artists.

Cleveland Museum of Art’s own description
Credit linePreaching Amitabha with Avalokiteshvara and Manjushri, folio 186 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina). Eastern India, Bihar, Vikramashila Monastery. Painting: Nepal, Kathmandu. Gum tempera and ink on palm leaf; leaf: 5.5 x 54.6 cm (2 3/16 x 21 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1938.301.186.b
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