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Uzume no Mikoto from The Cave Door of Spring
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Uzume no Mikoto from The Cave Door of Spring

Totoya Hokkei (Japanese, 1780–1850), artist · 1825 · third from a pentaptych of woodblock prints; ink and color on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

These elegant surimono prints come from a set of five images inspired by the legend of the Shinto Supreme Sun Goddess, Amaterasu. She was once so offended by her brother that she retreated into a cave, leaving the earth in darkness. Several attempts to lure her out with cocks crowing, music-making, and a goddess dancing failed, but a mirror hung from a nearby tree made Amaterasu curious, bringing her to the entrance of the cave. A stone was quickly placed at the entrance to block her way back into the cave, and light was restored to the world. Each print is set against a blue evening sky with embossed clouds enriched with gold, silver, and copper.

Cleveland Museum of Art’s own description
Credit lineUzume no Mikoto from The Cave Door of Spring, 1825. Totoya Hokkei (Japanese, 1780–1850). Third from a pentaptych of woodblock prints; ink and color on paper; sheet: 18.8 x 21 cm (7 3/8 x 8 1/4 in.). The Cleveland Museum of Art, Bequest of James Parmelee, 1940.990.3

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