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Sophie Crouzet
From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.
About this work
The sitter's dress deliberately evokes ancient Roman costume. However, the white muslin and straightforward cut also derives from earlier English fashions that favored simplicity in contrast to the elaborate, colorful clothing favored earlier in the 1700s. The transparency of her dress also carries political and cultural meaning: during the French Revolution in 1789, costume began to signify political allegiance, a sign of the character of the person who wore it. For women, transparency became increasingly literal, as in the sheer fabric worn by Crouzet, who came from a family of active revolutionaries.
Cleveland Museum of Art’s own descriptionCredit lineSophie Crouzet, c. 1801. Louis Hersent (French, 1777–1860). Oil on fabric; framed: 101 x 85.5 x 12.5 cm (39 3/4 x 33 11/16 x 4 15/16 in.); unframed: 81.2 x 65 cm (31 15/16 x 25 9/16 in.). The Cleveland Museum of Art, Grace Rainey Rogers Fund, 1943.659