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Charger Depicting the Three Graces
From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.
About this work
During the Renaissance, an understanding of classical antiquity was perceived to be a sign of social, intellectual, and economic distinction. Scenes from Greco-Roman mythology were prominently featured on maiolica, covering the surface in a style called istoriato (decorated with stories). This depiction of the three graces was likely based on an engraving by the Renaissance printmaker, Marcantonio Raimondi.
Cleveland Museum of Art’s own descriptionCredit lineCharger Depicting the Three Graces, c. 1525. Circle of Maestro Giorgio Andreoli (Italian, 1465?–1553). Tin-glazed earthenware with gold lustre (maiolica); diameter: 44.8 cm (17 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1945.2