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The Pond at the Entrance of the Woods
From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.
About this work
This scene of a pond bordered by large, leafy trees echoes Corot's well-known views of Ville-d'Avray, while the vaporous light and atmospheric effects within a restricted palette resemble those of the artist's late style of the 1860s and 1870s. The small forms of the peasant and white goat are also typical of Corot's late imagery. This is one of many views of a large pond at Ville-d'Avray, a small commune on the western suburbs of Paris, where Corot inherited a rural property from his parents.
Cleveland Museum of Art’s own descriptionCredit lineThe Pond at the Entrance of the Woods, c. 1860–75. Jean Baptiste Camille Corot (French, 1796–1875). Oil on fabric; unframed: 46 x 61 cm (18 1/8 x 24 in.). The Cleveland Museum of Art, Bequest of William G. Mather, 1951.330