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The Submersion of Pharaoh's Army in the Red Sea
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The Submersion of Pharaoh's Army in the Red Sea

Titian (Italian, c. 1488–1576), artist; Domenico dalle Greche (Italian, 1503–1603), publisher · 1514–15, printed 1549 · woodcut

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

To make this monumental woodcut—considered one of the most ambitious prints of the Renaissance—Titian probably drew directly on the wooden blocks, after which a skilled cutter completed the blocks. The size rivals that of a painting, and the composition would have hung on a wall. Titian’s bold vision presents nature as a vehicle of God’s mercy and wrath. Moses, at right, having parted the seas for the Israelites to pass, commands them to close over the Egyptian forces (Exodus 14:21–31). Titian propelled the narrative with remarkable unity, dedicating entire blocks to the turbulent sea and rolling clouds that culminate in a magnificent cliff and Renaissance city. Some have interpreted the scene as an allegory of Venice’s troubles with the League of Cambrai, a military alliance that threatened the island city.

Cleveland Museum of Art’s own description
Credit lineThe Submersion of Pharaoh's Army in the Red Sea, 1514–15, printed 1549. Titian (Italian, c. 1488–1576), Domenico dalle Greche (Italian, 1503–1603). Woodcut; unframed: 41 x 55.6 cm (16 1/8 x 21 7/8 in.). The Cleveland Museum of Art, John L. Severance Fund, 1952.296.9

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