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The Trinity: Leaf from a Gradual with Initial B
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The Trinity: Leaf from a Gradual with Initial B

Perugino (Italian, c. 1450/55–1523), artist · c. 1496–1502 · ink, tempera, and gold on parchment

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

The focus of this lavishly illuminated page is a large initial B containing a representation of the Holy Trinity (three persons in one godhead). The text, Benedicta sit sancta Trinitas , introduces the opening of the Introit for Mass on Trinity Sunday, celebrated one week after Pentecost. An illusion has been created by the artist who painted the framing initial to appear three-dimensional. Beyond the initial a landscape recedes as if viewed through an open window. The decoration extends into all four margins that are filled with small miniatures depicting saints (one was left blank). This page is a masterful example of Renaissance manuscript painting with classicizing leaf scrolls, masks, urns, putti, and other decorative motifs fashionable in Italy at the close of the 15th century. It may come from a set of choir books illuminated for Perugia Cathedral.

Cleveland Museum of Art’s own description
Credit lineThe Trinity: Leaf from a Gradual with Initial B, c. 1496–1502. Circle of Perugino (Italian, c. 1450/55–1523). Ink, tempera, and gold on parchment; sheet: 78.7 x 53 cm (31 x 20 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1952.461

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