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Apollo and the Serpent Python (from Set of Ovid's Metamorphoses)
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Apollo and the Serpent Python (from Set of Ovid's Metamorphoses)

Gobelins Manufactory (France, Paris, est. 1662), manufacturer; Nicolas Bertin (French, 1668–1736), artist · 1700–1730 · tapestry weave

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Apollo’s dynamic posture with his right arm pulled back and his left holding a bow indicates that he has just shot the arrow piercing the snarling serpent’s throat and body. Apollo’s triumph over powerful Python, the fearsome serpent offspring of Mother Earth or Gaia, boosted his ego tremendously, leading to his tragically unsuccessful pursuit of Daphne. The regally dressed hunter and his prey are seen alone in an environment teeming with natural life that includes a pumpkin patch. In the creation of this textile, the manufacturer used blue and yellow dye to create the color green which has since degraded, causing the pumpkins and their leaves to appear blue.

Cleveland Museum of Art’s own description
Credit lineApollo and the Serpent Python (from Set of Ovid's Metamorphoses), 1700–1730. Gobelins Manufactory (France, Paris, est. 1662), after Nicolas Bertin (French, 1668–1736). Tapestry weave; overall: 328 x 393 cm (129 1/8 x 154 3/4 in.). The Cleveland Museum of Art, Gift of Mrs. Matthias Plum, 1956.325.3

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