Arkivism
The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night
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The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

Basavana (Indian, active c. 1560–1600), artist · c. 1560 · gum tempera, ink, and gold on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

This painting illustrates a story about a merchant who owned a donkey but did not have enough money to feed him. He was able to secure a tiger’s skin, in which he dressed his donkey at night, so he could forage freely in fields, frightening away the owners’ watchmen, seen here scrambling up in trees for safety. He succeeded for a time and grew fat and healthy, until a nearby donkey brayed, and he instinctively answered, revealing his true identity.

Cleveland Museum of Art’s own description
Credit lineThe donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night, c. 1560. Attributed to Basavana (Indian, active c. 1560–1600). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 13.8 x 10 cm (5 7/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.207.a

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