Arkivism
The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night
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The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night

c. 1560 · gum tempera, ink, and gold on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Many scholars consider the diminutive Tuti-nama to have been one of the first illustrated manuscripts made for Akbar, on which Indian artists worked with Persian masters to formulate a new style that their exacting emperor appreciated. The new Mughal style would be used to create the monumental Hamza-nama and hundreds of other Mughal manuscripts. There are many continuities between the Tuti-nama and the Hamza-nama , such as the image of a recumbent figure under a magnificent tree.

Cleveland Museum of Art’s own description
Credit lineThe street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.3 x 14 cm (8 x 5 1/2 in.); painting only: 10.5 x 10.4 cm (4 1/8 x 4 1/8 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry, 1962.279.97.a
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