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Panel from a Triptych: The Archangel Michael
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Panel from a Triptych: The Archangel Michael

Fra Filippo Lippi (Italian, c. 1406–1469), artist · 1458 · tempera on wood panel

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

These panels depicting Saints Anthony the Abbot and Michael originally flanked a central scene of the Madonna and Child with Angels, now lost, to form a triptych. Giovanni di Cosimo de’Medici of Florence commissioned the ensemble in 1457 as a gift to Alfonso V of Aragon. Fra Filippo Lippi, a Carmelite friar and one of the great masters of early Renaissance Florence, depicted realistic, weighty figures in a three-dimensional space using a system of linear perspective, inspired partly by Masaccio’s Brancacci Chapel, and reflected in the background architecture. Saint Anthony the Abbot rejected all earthly possessions in pursuit of a contemplative life in the desert. He is generally regarded as the founder of monasticism and is depicted wearing a monk’s habit. Saint Michael’s sword and shield refer to his role as heaven’s defender against evil.

Cleveland Museum of Art’s own description
Credit linePanel from a Triptych: The Archangel Michael, 1458. Fra Filippo Lippi (Italian, c. 1406–1469). Tempera on wood panel; framed: 94 x 40 x 6.5 cm (37 x 15 3/4 x 2 9/16 in.); unframed: 81.3 x 29.8 x 3 cm (32 x 11 3/4 x 1 3/16 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1964.150.1

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