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The Breadth and Flatness of the Frontal Bone
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The Breadth and Flatness of the Frontal Bone

Odilon Redon (French, 1840–1916), artist; Auguste Clot (French, 1858–1936), printer · 1896 · lithograph on China paper laid on wove paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Odilon Redon was a voracious reader of contemporary literature, and such texts often influenced his art. This series was inspired by The Haunted and the Haunters, an 1859 novel by British writer Edward Bulwer-Lytton. Redon’s prints capture the book’s mysterious tone and emphasis on the supernatural through vague but evocative imagery that sometimes borders on abstraction. By this time a seasoned expert in lithography, the artist collaborated with master printer Auguste Clot. Their combined technical skills allowed for the rich tonal variation seen here, made by turning Redon’s lithographic crayon on its side, layering various marks, and even scratching directly into the surface of his stone.

Cleveland Museum of Art’s own description
Credit lineThe Haunted House: The Breadth and Flatness of the Frontal Bone, 1896. Odilon Redon (French, 1840–1916), printed by Auguste Clot (French, 1858–1936). Lithograph on China paper laid on wove paper; image: 14 x 9 cm (5 1/2 x 3 9/16 in.); sheet: 44.9 x 31.5 cm (17 11/16 x 12 3/8 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 1966.413.7

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