Arkivism
Folio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso)
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Folio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso)

1744–45 · Gum tempera, ink, and gold on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Scenes pertaining to the loss and rescue of Sita have been embedded in a popular tale written by Bhadrasena (active c. 1620), and expanded by the poet Karamacand in 1629–30. The pages from this manuscript are dispersed among many collections. Its last page, known from a photograph provided by Arun Bharany in New Delhi, includes a colophon statement. It informs us that the manuscript was written in Samvat 1802 (equivalent to 1744–45) in Kishangarh for five patrons named Rikhaji, Karamchandji, Mahataji, Shri Jagamalaji, and his son Motichandji. The scribe was a monk named Udayasagar in the Bijai (or Vijay) Gacch, a monastic lineage of the Shvetambar Jains.

Cleveland Museum of Art’s own description
Credit lineFolio 18 from a Chandana Malayagiri Varta (Story of King Chandana and Queen Malayagiri) of Karamachand: Ravana battles the great vulture Jatayu and defeats him by throwing stones in his mouth (recto); Jatayu approaches Rama and Lakshmana who are wondering where Sita could be (verso), 1744–45. Northwestern India, Rajasthan, Rajput Kingdom of Kishangarh. Gum tempera, ink, and gold on paper; recto painting: 13.4 x 14.9 cm (5 1/4 x 5 7/8 in.); verso painting: 14.9 x 14.8 cm (5 7/8 x 5 13/16 in.); overall: 28.8 x 20 cm (11 5/16 x 7 7/8 in.). The Cleveland Museum of Art, James Parmelee and Cornelia Blakemore Warner Funds, 1968.108

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