Solidarity

In 1898, the Belgian Labor Party commissioned George Minne to make a memorial for Jean Volders, the Socialist movement leader. Rather than making a traditional portrait, Minne represented the socialist ideal of prioritizing cooperation over competition, creating an allegory of brotherhood with two nude men standing in a boat, anxiously trying to keep their balance in a storm. The Labor Party disliked Minne’s design and withdrew the commission. In anger, Minne destroyed his nearly 10-foot-tall plaster model, but the artist’s friends and contemporary critics recognized the power of the sculpture. A smaller study survived and was later cast in bronze.