Arkivism
Madonna and Child Enthroned
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Madonna and Child Enthroned

Master of San Lucchese (Italian, c. 1335–1380), artist · c. 1350 · tempera and gold on poplar panel

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Seated on an elaborate throne, the Madonna’s weighty majesty emphasizes her role as the Queen of Heaven as she gazes at her infant son. The child, in turn, stares at the viewer. To Christ’s right is a fluttering goldfinch, a bird that was believed to nest in thorny trees and, according to legend, removed a painful spine from Christ’s crown of thorns. At that moment, a drop of his blood fell onto the goldfinch, forever giving it red markings. The precise identity of this artist has not yet been discovered, and little is known about his training or career. He receives his name after an altarpiece in the church of San Lucchese in Poggibonsi, near Siena.

Cleveland Museum of Art’s own description
Credit lineMadonna and Child Enthroned, c. 1350. Master of San Lucchese (Italian, c. 1335–1380). Tempera and gold on poplar panel; framed: 122.5 x 61 x 7.5 cm (48 1/4 x 24 x 2 15/16 in.); unframed: 113.7 x 54 cm (44 3/4 x 21 1/4 in.). The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1968.206

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