Arkivism
Virupa
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Virupa

early 1400s · Gilt bronze with silver, stones, and pigment

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Virupa is one of the great teachers in the history of tantric Buddhism. His posture references his ability to stop the sun; as an enlightened being, he can control phenomena of nature. As a tantric practitioner, he overturns ordinary assumptions about proper behavior, so he overeats, drinks large quantities of liquor, and waits for the king to pay his bill at the tavern. At the edge of the lotus pedestal is an inscription identifying the image as having been made in the imperial kilns of the third emperor of the Ming dynasty in China as a gift to a Tibetan monastic leader. While closely linked to Tibetan styles, the luxurious detailing, special gilding process, and the casting of the ornaments onto the body without use of inlay are specifically Chinese characteristics.

Cleveland Museum of Art’s own description
Credit lineVirupa, early 1400s. China, Ming dynasty (1368-1644), Yongle reign (1403-1424). Gilt bronze with silver, stones, and pigment; overall: 43.6 cm (17 3/16 in.). The Cleveland Museum of Art, Gift of Mary B. Lee, C. Bingham Blossom, Dudley S. Blossom III, Laurel B. Kovacik, and Elizabeth B. Blossom, in memory of Elizabeth B. Blossom, 1972.96

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