Eight Views of Xiao-Xiang
From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.
Eight Views of the Xiao and Xiang Rivers can be traced to 11th-century Chinese poems and paintings, the depiction of which had also become popular among Korean and Japanese painters. Xiao-Xiang refers to the region in present-day Hunan province where the Xiao and Xiang rivers converge. Few painters of the Eight Views had in fact seen the scenery; rather, they were trying to portray in ink and wash the lyrical qualities of dim light and a misty atmosphere typical of that region. Each of the poetic titles suggests a time of day, a season, or specific atmospheric conditions—subjects that challenged the abilities of the most talented artists. In this miniature painting ( shukuzu ) of the Muromachi period, Japanese Zen monk and painter Shukei Sesson depicted all eight views featured in Chinese prototypes: Wild Geese Descending to Sandbar; Returning Sails Off a Distant Coast; Mountain Market in Clearing Mist; River and Sky in Evening Snow; Autumn Moon over Dongting Lake; Night Rain on the Xiao and Xiang; Evening Bell from Mist-Shrouded Temple; and Fishing Village in Evening Glow.
Cleveland Museum of Art’s own description
