Arkivism
Courtesan Reading a Letter
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Courtesan Reading a Letter

Teisai Hokuba (Japanese, 1771–1844), painter; Ōta Nanpo (Japanese, 1749–1823), calligraphy by · early 1800s · two-panel folding screen; ink and color on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Ukiyo-e artists and collaborating poets introduced imagery from classical literature to add layers of meaning to their work. Here, a courtesan pores over a letter from an admirer, and the poem next to her reads as follows: "Having been asked to stay over, / I stayed on—and for a good reason. / It’s way past midnight / and the lady is that (legendary implorer) Amagoi Komachi." Midnight was closing time in Yoshiwara, the licensed brothel district of Edo (now Tokyo). Amagoi, or “Praying for Rain,” Komachi refers to ninth-century poet Ono no Komachi—known for her compelling verse and great beauty—and one of her famous compositions.

Cleveland Museum of Art’s own description
Credit lineCourtesan Reading a Letter (文読む遊女図), early 1800s. Teisai Hokuba (Japanese, 1771–1844), calligraphy by Ōta Nanpo (Japanese, 1749–1823). Two-panel folding screen; ink and color on paper; image: 156.8 x 165.4 cm (61 3/4 x 65 1/8 in.); overall: 175.2 x 183.5 cm (69 x 72 1/4 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.261

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