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Stand-in Fugen
From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.
About this work
Here, a woman dressed as a man replaces Fugen, a bodhisattva—a being among those considered enlightened in Buddhism—who symbolizes learning as a path to awakening and typically rides an elephant. The painting teaches the lesson of impermanence through the petals falling from the lotus flower the woman holds. It also alludes to the legend of Eguchi, a 12th-century courtesan who, following an encounter with a Buddhist monk-poet called Saigyō, revealed herself to be a manifestation of Fugen.
Cleveland Museum of Art’s own descriptionCredit lineStand-in Fugen (見立普賢菩薩図), late 1700s–early 1800s. Kitao Masayoshi (Japanese, 1761–1824). Hanging scroll; ink and color on silk; painting only: 114.3 x 56.2 cm (45 x 22 1/8 in.); including mounting: 186.7 x 76.2 cm (73 1/2 x 30 in.). The Cleveland Museum of Art, The Kelvin Smith Collection, given by Mrs. Kelvin Smith, 1985.277