Arkivism
Thangka with the Seventh Bodhisattva
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Thangka with the Seventh Bodhisattva

1368–1424 · Silk and gold thread on silk satin ground, embroidery

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

In remarkably pristine condition, this embroidery is from a dispersed set that included images of protectors and bodhisattvas. The embroidery technique and pictorial style are Chinese, but the subject matter and the type of devotional hanging called a thangka are associated with Tibetan Buddhism. Historical records state that during the early Ming dynasty (1368–1644), gifts of Buddhist art were sent from China to Tibet, since relationships between Chinese rulers and Tibetan monastic patriarchs were strong and amicable during this time. A Tibetan inscription on the back notes that this figure is the “seventh bodhisattva,” indicating the position in which it would have hung in a temple hall. Odd-numbered works were hung on one side of the main image, and even-numbered works on the other, counting from the center.

Cleveland Museum of Art’s own description
Credit lineThangka with the Seventh Bodhisattva, 1368–1424. China, Ming dynasty (1368–1644). Silk and gold thread on silk satin ground, embroidery; overall: 43.8 x 19.5 cm (17 1/4 x 7 11/16 in.); mounted: 56.8 x 31.8 cm (22 3/8 x 12 1/2 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1991.2

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