Arkivism
The Pyramids of Saqqara, from the Northeast
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The Pyramids of Saqqara, from the Northeast

Francis Frith (British, 1822–1898), artist; William Mackenzie, publisher · 1858 · albumen print from wet collodion negative

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Frith was the first photographer in Egypt to successfully use the wet collodion process, introduced in 1851. Its glass plate negatives yielded sharper, more detailed images than paper ones. He even created mammoth plate prints, as this size is called, which required equally large glass plate negatives. Pursuing the process’s exacting chemistry in Egypt’s scorching sunlight was trying. Frith sometimes sought refuge in tombs for the cool air and darkness to process his plates. “Pushing myself backwards upon my hands and knees, into a damp slimy rock-tomb . . . I prepared my pictures by candlelight in one of the interior chambers. . . . The floor was covered . . . with an impalpable ill flavored dust, which rose in clouds as we moved; from the roof were suspended groups of fetid bats.”

Cleveland Museum of Art’s own description
Credit lineEgypt, Sinai and Jerusalem: A Series of Twenty Photographic Views, with Descriptions by Mrs. Poole and Reginald Stuart Poole: The Pyramids of Saqqara, from the Northeast, 1858. Francis Frith (British, 1822–1898). Albumen print from wet collodion negative; image: 38.2 x 47.7 cm (15 1/16 x 18 3/4 in.); matted: 61 x 76.2 cm (24 x 30 in.). The Cleveland Museum of Art, Gift of Charles Isaacs in honor of Louis and Martha Isaacs, 1996.19

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