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Wooded Landscape at L'Hermitage, Pontoise
From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.
About this work
Camille Pissarro depicted this view of Pontoise, the Parisian suburb where he lived at the time, using a range of etching techniques. He evoked the effects of natural light amid the shadowy forest by combining grainy aquatint with softground—a process that creates loose, painterly lines and tone. Although primarily known as painters, many of the Impressionists took up printmaking, developing new techniques to translate the effects of natural light. Pissarro, especially, experimented with etching, working extensively with the technique alongside Edgar Degas around the time this print was made.
Cleveland Museum of Art’s own descriptionCredit lineWooded Landscape at L'Hermitage, Pontoise, 1879. Camille Pissarro (French, 1830–1903). Softground, aquatint, and drypoint; platemark: 21.9 x 26.9 cm (8 5/8 x 10 9/16 in.); overall: 26.9 x 35.6 cm (10 9/16 x 14 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland, 2004.105