Arkivism
Mary Magdalene Presents Ointment to Jesus (folio 102 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
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Mary Magdalene Presents Ointment to Jesus (folio 102 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

1602–04 · Gum tempera, ink, color, and gold on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

While Jesus dined in the house of a Pharisee he was approached by Mary Magdalene, who threw herself to the ground and wept on Jesus’s feet with her tears. She then dried them with her hair and bathed them with expensive ointment. Her veil falls around her shoulders to reveal her hair’s disarray. Only Jesus appears to be calm as he extends his arms in a pacifying gesture; the other men point at their mouths and at each other, astonished at the dramatic behavior of this woman known to have been a prostitute. The plain black carpets and thin application of paint in some areas indicate that this painting was not finished.

Cleveland Museum of Art’s own description
Credit lineMary Magdalene Presents Ointment to Jesus (folio 102 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–04. Mughal India, Allahabad, made for Prince Salim (1569–1627). Gum tempera, ink, color, and gold on paper; sheet: 26.4 x 15.7 cm (10 3/8 x 6 3/16 in.); image: 20.5 x 10.3 cm (8 1/16 x 4 1/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.102.b

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