Arkivism
Wall hanging (pardah)
CC0 · no rights reserved

Wall hanging (pardah)

1850–75 · warp ikat, warp-faced plain weave; silk warp; cotton weft; 5 panels./ lining: printed cotton, plain weave; 2 panels

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Eye-dazzling patterns with saturated colors demonstrating the ikat technique provided vibrant wall hangings for the reception rooms of the urban elite in Central Asia. In this splendid example comprising five loom widths, three lengths display popular amulet designs while the two inner lengths are precursors to the bold chevron designs of the late 19th century. The irregular contours—telltale indicators of ikat—are masterfully controlled with five rich colors. In the ikat technique, designs are dyed on the warp (vertical thread) in a resist-dye process before being woven. Thread is tightly wrapped around the warp to prevent dye penetration in each area of color, beginning with the lightest shades to the darkest. This labor-intensive process produces vivid colors and fuzzy contours.

Cleveland Museum of Art’s own description
Credit lineWall hanging (pardah), 1850–75. Uzbekistan, Bukhara. Warp ikat, warp-faced plain weave; silk warp; cotton weft; 5 panels./ lining: printed cotton, plain weave; 2 panels; overall: 192.4 x 144.2 cm (75 3/4 x 56 3/4 in.). The Cleveland Museum of Art, Gift of Guido Goldman, 2006.152

Similar works