Arkivism
Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)
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Shiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740)

1700s · gum tempera and lampblack on palm leaf

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

At left is a multicolored mountain, labeled by an inscription in the local language of Oriya as a “cave on Kailash,” the Himalayan abode of the god Shiva and his wife Parvati. The cave with its bed and bolsters is empty, but the god is returning home on his bull, Nandi. The wilderness is indicated by the variety of trees, birds, and spotted deer. This illustrated leaf is from a book that would have been stacked and bound by a string through the hole in the center. The lines were etched with a stylus into the palm leaf. Black soot from butter lamps was rubbed over the page and wiped off, leaving only the grooves black. Afterward, artists added color using a brush.

Cleveland Museum of Art’s own description
Credit lineShiva and His Followers Return to Mount Kailash (verso), from a Romance of Chandrabhanu and Lavanyavati of Upendra Bhanja (1670–1740), 1700s. Eastern India, Odisha (formerly Orissa). Gum tempera and lampblack on palm leaf; leaf: 5.1 x 41 cm (2 x 16 1/8 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund, 2018.175.b

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