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Egret and Reeds
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Egret and Reeds

Yang Ki-hun (Seuk-Eun) (Korean, 1843–1919?), artist · late 1800s · hanging scroll; ink on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

In this hanging scroll, an egret walks along the shores of a salt marsh where reeds abundantly grow. Native to Pyongyang, the artist Yang Ki-hun had no rival in bird-and-flower themes. The Taedong River estuary, one of Pyongyang’s beloved natural sites, may have been Yang’s favorite spot to observe and sketch various water birds. Yang treated his subjects of flora and fauna with an observant naturalist’s view, yet his choice of subjects—an egret and reeds—is deeply rooted in traditional symbolic language: the egret stands for the scholarly reclusive life, while reeds indicate humility and modesty.

Cleveland Museum of Art’s own description
Credit lineEgret and Reeds (백로도 [白鷺圖]), late 1800s. Yang Ki-hun (Seuk-Eun) (Korean, 1843–1919?). Hanging scroll; ink on paper; overall: 196 x 61 cm (77 3/16 x 24 in.). The Cleveland Museum of Art, Gift from the Collection of George Gund III, 2015.509

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