Arkivism
The Three Crosses
Public domain

The Three Crosses

Rembrandt van Rijn · 1653 · intaglio printmaking technique; burijn; drypoint; paper

From the collection of Rijksmuseum, Amsterdam. Free to download, adapt and use — no permission needed.

About this work

Ultimately Rembrandt was left with a worn copper plate from which good impressions could no longer be pulled. The solution he devised this time was more radical: he replaced the representation on the copper plate with a new version. While Christ can still be seen on the cross, scores of figures and horses around him have been changed, and the mood is far more ominous than previously.

Rijksmuseum, Amsterdam’s own description
Credit lineDe drie kruisen. 1653. Rembrandt van Rijn. Rijksmuseum, Amsterdam. Public domain.

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