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The Marriage Settlement, Plate 1
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The Marriage Settlement, Plate 1

Gérard Jean-Baptiste Scotin II (French, 1698–1760), artist; William Hogarth (British, 1697–1764), artist · 1745 · Etching and engraving

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

William Hogarth bitingly satirized the follies of Enlightenment high society in Marriage à la Mode , a print series whose title roughly translates as “marriage in the current fashion.” The series follows the story of an incompatible marriage arranged for financial and social gain. Here, the impoverished Earl of Squander gestures to his exalted family tree as he haggles over the marriage contract between his son and a wealthy alderman’s daughter. Uninvolved in the negotiations, the young couple sit side by side completely uninterested in each other. While Viscount Squanderfield gazes at his reflection, his bride-to-be listens to the flirtatious lawyer, Silvertongue, with whom she will later conduct an affair.

Cleveland Museum of Art’s own description
Credit lineMarriage à la Mode: The Marriage Settlement, Plate 1, 1745. Gérard Jean-Baptiste Scotin II (French, 1698–1760), after William Hogarth (British, 1697–1764). Etching and engraving; image: 35 x 44.5 cm (13 3/4 x 17 1/2 in.); plate: 38.2 x 46.8 cm (15 1/16 x 18 7/16 in.); sheet: 46.4 x 57.5 cm (18 1/4 x 22 5/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Milton Curtiss Rose, 1959.311.1

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