Arkivism
The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
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The Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Payag (Indian), artist · 1602–4 · Gum tempera, ink, and gold on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

One of the three kings points excitedly at the star at the upper left edge of the page, while another bites the finger of astonishment; the third holds his fist over his heart. They are all dressed like Portuguese merchants, but they ride camels associated with their homeland in Arabia, as specified in the text. The Westerners whom Mughals would have seen, besides priests, were mainly merchants from the Portuguese port of Goa on India’s western coast. They regularly visited Akbar to negotiate trade agreements, so they served as the primary visual model for all nonclerical Europeans. The artists who produced this manuscript worked for Akbar before joining Prince Salim at his rebel court in Allahabad.

Cleveland Museum of Art’s own description
Credit lineThe Magi Follow the Star (folio 34 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4. Attributed to Payag (Indian). Gum tempera, ink, and gold on paper; sheet: 26.2 x 15.7 cm (10 5/16 x 6 3/16 in.); image: 20.6 x 10.9 cm (8 1/8 x 4 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.34.a

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