Arkivism
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier
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Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

1602–4 · Gum tempera, ink, and gold on paper

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

Simeon had heard a prophecy that he would encounter the Messiah with his mother in the temple at Jerusalem. This painting depicts his moment of recognition that the prophecy had come true. The temple is populated by Jewish teachers and scholars, and a number of unusual visual elements. A dragon-headed vase is set by the stairs, and niches for vases flank the entrance, possibly in reference to Mary’s status as a vessel for the divine. The form of the temple itself seems to be an imaginative combination of Hindu temple architecture and a Mughal palace.

Cleveland Museum of Art’s own description
Credit lineSimeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4. Mughal India, Allahabad, made for Prince Salim (1569–1627). Gum tempera, ink, and gold on paper; sheet: 26.2 x 15.7 cm (10 5/16 x 6 3/16 in.); image: 21.4 x 12.6 cm (8 7/16 x 4 15/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2005.145.40.a

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