Arkivism
Male figure (nkisi nkondi)
CC0 · no rights reserved

Male figure (nkisi nkondi)

late 1800s-early 1900s · Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber

From the collection of Cleveland Museum of Art. Free to download, adapt and use — no permission needed.

About this work

This nkisi nkondi (power figure) lacks most of the materials that transformed it into a vessel for a spirit. Carved by sculptors, minkisi hosted spirits after banganga (priests) placed substances inside to empower them. The mirrored eyes, resin cap, and stomach chamber once contained empowering materials. After the nkisi had served its purpose the nganga removed the materials, stripping it of its spiritual power; the remaining sculpture was discarded. Sometimes, Kongo people removed materials as acts of anti-colonial resistance, disempowering minkisi before Europeans seized them. While we don’t know why it was disempowered, this sculpture is no longer spiritually active.

Cleveland Museum of Art’s own description
Credit lineMale figure (nkisi nkondi), late 1800s-early 1900s. Democratic Republic of Congo or Cabinda (Angola), Kongo artist and nganga (priest). Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber; overall: 46 x 25.7 x 19.2 cm (18 1/8 x 10 1/8 x 7 9/16 in.). The Cleveland Museum of Art, René and Odette Delenne Collection, Leonard C. Hanna Jr. Fund, 2010.432

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